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This is a Building Blocs post from Allison K Williams, an experienced professional editor. Professional editing offers some choice lines of copy. In a recent manuscript I found this…
This is a Building Blocs post from Allison K Williams, an experienced professional editor. Professional editing offers some choice lines of copy. In a recent manuscript I found this…
Brendan James Murray, on the sometimes fine line between fact and fiction in narrative nonfiction. There’s currently a turf-war being fought on the Australian literary…
This is Ask Me Editing, our publishing advice column with Agony Un-Uncle Elizabeth Flux. Many years ago I worked in an office where I had…
Introducing Creative Cupid, our writing mentor program. Writing can be a lonely business. As a writer we have the privilege of spending time creating characters,…
Justin Heazlewood, on the art of balancing a relationship and a creative career. When it comes to a choice of partner, there are two schools…
Chiefly though, I’m an actor. A professional one. Which means I spend a lot of time at family gatherings justifying my career choice to relatives…
This is a ‘The Book That…’ post from Eli Glasman. Eli Glasman’s debut novel, The Boy’s Own Manual to Being a Proper Jew (Sleepers Publishing), about a homosexual boy…
This is Craig Hildebrand-Burke, on what the golden age of TV and Film adaptations means for writers. It’s Oscars season, which inevitably means a whole…
Claire Rosslyn Wilson, on the beauty in the burning fires of Valencia, Spain The smoke is there the next day, caught up in the threads…
This is Scarlett Harris, with her Obligatory Leaving New York Essay. It all started with Joan Didion’s seminal “Goodbye to All That” essay in 1967…
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