On finding the time to write and smashing creative goals, with Write and Shine's Gemma Seltzer.
Gemma Seltzer is made of fairy dust. She must be magical, I hypothesise, after reading her credentials. It’s a long list filled with collaborations, residencies, a Winston Churchill Travel Fellowship and the publication of her heartwarming book, Speak to Strangers.
Building Blocs Feature Editor Katerina Bryant on greyhounds, great writing, and writing wrongs
When I think of my life, I can’t help but think of that niggling list of regrets. Buying a guitar on a sweeping gust of ambition only to realise I sucked; throwing out every screwdriver in the tool box because ‘how often will I need that’ (the answer was, and still is, pretty regularly); those bitter mistakes I made when I started my writing career.
Is your writing original? Probably not. But that’s no reason to get stressed about it. Raphaelle Race dives into the sea of neurosis that is the creative process.
The ‘anxiety of influence’ was first coined by one of America’s most beloved pomposities (also Professor of Humanities at Yale University), Harold Bloom. He used the term to talk about the fact that writers are constantly battling against every word they’ve ever read – especially the people they admire most – when the try to create original work.
Justin Heazlewood, on the art of balancing a relationship and a creative career.
When it comes to a choice of partner, there are two schools of thought. Some will be stimulated by those involved in the arts, while others will welcome an outside perspective. In comedy, it’s common for neurotic stand-ups to marry their grounded publicists or managers, while many visual artists I know form romantic collaborations with fellow practitioners.